21st Aug 2011

42 New Digital Media Resources You May Have Missed


The weekly roundup is back and, as usual, Mashable has been working hard compiling the latest features and news analysis to fuel your social and techie adventures.

Whet your appetite with a list of Google’s top 10 most expensive acquisitions. Move onto an appetizer of MySpace memories. Have a second helping of back to school iOS apps. Finally, satiate your sweet tooth with a history of online activism. And be sure to come back for seconds next week!


Editors’ Picks



Social Media


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31st Jul 2011

Inside Sports Illustrated: Building a Magazine for the Digital Age


Among magazines, Sports Illustrated has emerged as a leader in the digital age.

In addition to its print edition, the title has produced a tablet edition for the iPad every week since it debuted last June and more recently added to its roster weekly editions for Android and webOS tablets. Sports Illustrated also produces daily content for SI.com, highlights 10 sports photos every day on its Chrome web app, and offers more content on special cross-channel packages, including Swimsuit.

The numbers support the digital push. Sports Illustrated‘s digital revenue was up 22% between 2009 and 2010, and it is on track for double-digit growth again this year, says Scott Novak, VP of communications at Sports Illustrated Group.

Curious to know how and why the team could keep this pace, we visited editors, producers and operations managers as they put together a special double issue over a seven-day period.

It became clear that Sports Illustrated has alighted upon the best model for a print magazine in the digital age, not only in terms of content and design (i.e. the product itself), but also in the way the publication has organized its staff and workflow to produce consistently top-tier products across multiple platforms. Here’s why.


There Is No “Digital Department”


If you walk into the offices of almost any major print magazine, you’ll inevitably find a corner housing the so-called “digital department.” The staff there will be diligently putting together a website that is sometimes only loosely tied to the print title. These departments are byproducts of the early days of the Internet when publishers weren’t sure if a web edition had long-term potential. Magazine websites were treated like side projects rather than core parts of business and distribution strategies. The tablet edition usually ranks even lower on the priority scale.

Having a separate — and sometimes marginalized — digital department often leads to a discrepancy between the quality of the print product and the web product. Fewer resources are allotted to digital, in part because digital advertising revenues are far less than print.

This discrepancy is most apparent in women’s lifestyle magazines. Glamour and Lucky run thinly staffed, independent web operations that churn out upward of 50 pieces of original content per day. These are short, image-heavy pieces that have proven successful on the web. Both launched “blogger networks” earlier this year, an advertising play that allows the publications to sell ads across a network of content, namely pictures of the bloggers wearing different outfits.

Although the blogger partnerships enable the publications to bolster their advertising revenues in the short term and broaden their readership, there’s little sense that the content on these sites is curated. Rather, they feel like content farms licensed under the Glamour and Lucky banners.

At Sports Illustrated, by contrast, web and print are divided mainly by article length: the web is for shorter, newsier hits and print is a repository for long-form journalism. Quality is consistent largely because most of Sports Illustrated‘s staff touch every extension of the brand. Nearly all the writers (95%) produce content for both the web and print, filing short news pieces for the web while building out longer, weekly pieces for the print and tablet editions.

As a result, Sports Illustrated‘s brand and voice are consistently strong across platforms. But how do they do it and without substantially expanding or changing staff?


Producing More With the Same


It’s surprising how long most Sports Illustrated editors have been on board. Most digitally savvy media companies (The Huffington Post and Gawker Media, for example) are relatively young, or many of the older companies have brought in younger staff to turn things over (both The New York Observer and The Atlantic Wire are run by thirty-somethings who got their start at Gawker Media).

Take Assistant Managing Editor Chris Stone, for instance, who is tasked with overseeing the development of Sports Illustrated on multiple tablets each week. He has been with the magazine since 1992. The pace of the production was much different in the “pre-web” days,when he focused on the production of one to two stories per week as the baseball editor.

“Once upon a time you had a few ideas in the course of a week and they held up. If something happened six days before close, well, it was six days before close,” he recalls. “Now we deal with new ideas and three to four different ways to present a story every day.”


SEE ALSO: Tablet Publishing: Why Sports Illustrated Is Looking Beyond the iPad


Stories are assigned for print, tablets and the web by the same vertical editors in conjunction with SI.com Managing Editor Paul Fichtenbaum and are then optimized for their respective platforms. When a large story breaks, for example, separate angles are developed for the web, for Sports Illustrated‘s social channels, as well as for print.

“Print is no longer separate,” Stone says. “We’re able to see the good idea that might just work better on the web because of the urgency of that story.” When stories are conceived, the editors think how to enhance them for the web and tablets, sometimes by including multimedia like audio interviews, galleries or video.

Social media is included in the ideation process. During a Monday morning run-through of the print edition set to close that evening, editors debated what to do with an extra Charlie Sheen interview that would not make the print edition before it closed later that night. Should they release it as a web exclusive, or perhaps as a bonus for tablet readers?

They elected to publish it on both, accompanied by a series of 10 tweets titled “10 Pieces of Wisdom from Charlie Sheen.” Although the print issue was the focus of the meeting, staff discussed the entire integrated publication: print, tablets, the web and social media.

Design is integrated as well. The design staff formats print and multiple tablet editions simultaneously, closing print Monday night, the iPad and HP TouchPad editions on Tuesday, and Android versions on Wednesday. The spacing in deadlines prevents designers from having to prioritize one version over another.


Editorial Workflow


“It became clear to us pretty early on that we needed to establish processes well beyond what we had in place for the print magazine,” says Bob Kanell, director of operations. Kanell has been working at Sports Illustrated for 17 years, long before it started to make its digital shift.

The week now starts Thursday morning. “That’s when we solidify what is going to be in the next particular issue. There are long-term stories that are in the works that we know we are going to run at some point, and our editors will decide when it is the right time to run that story,” he says.

The editorial team meets again Fridays and Sundays to discuss the issue, which evolves over the course of the week as major events occur. Saturday is the one day the entire editorial staff has off. Each editorial member works four full days each week and takes their remaining off-time on different days so that the issue doesn’t grind to a halt on weekends.

On Monday mornings and afternoons, the editorial team meets again to run through the print issue before it closes that same night. The issue is roughly 80% complete by the 9 a.m. meeting Monday, during which time Editor in Chief Terry McDonell runs through the entire issue on a large screen. He poses questions to Creative Director Chris Hercik about various design decisions and ensures that editorial layouts are properly differentiated from the ads.

The editorial team meets again Monday afternoon to review the edited copy and debate final photo selections. As articles are reviewed, McDonell inquires where add-ons for the tablet editions will appear.

At around noon on Tuesday, a mix of editors, designers and producers crowd around a single Mac in the production studio and walk through the nearly complete weekly editions for the iPad and HP TouchPad, both of which are formatted at a 16:9 ratio. Editors view the issues both on the devices themselves and using simulation software on the Mac, checking each button and function for potential bugs.

The same crew gathers again around 4 p.m. for the final review. The completed issue, once approved by Director of Imaging Geoffrey Michaud, is shipped to Apple’s and HP’s respective app stores around midnight.

At noon on Wednesday, the team runs through the weekly edition for two Android tablets, the Galaxy Tab and Motorola Xoom. Although the devices are different sizes, they run apps at the same 4:3 ratio, so there’s no need to format separate versions. The final run-through for Android occurs at 3 p.m. The completed issue hits the Android app store around midnight.


Design Workflow


Although Sports Illustrated‘s editorial team had to adjust to meet the magazine’s new digital demands, Kanell says the biggest adjustments occurred in the design department.

Designers must now reformat the issue in two different orientations — horizontal and vertical — for the iPad, plus a version for Android. (The iPad’s vertical layout is also used for the HP TouchPad.)

Sports Illustrated uses a software program called WoodWing, which allows designers to lay out the issue in multiple formats (both print and tablets) simultaneously. If a change to the copy is made in the print version, for instance, those changes will be automatically replicated in the different tablet versions.


Side by side: The same elements rendered for print (left), iPad (center) and Galaxy Tab (right).

“Everything still starts with print,” says Hercik, who has worked in the creative department of the Sports Illustrated Group for nearly a decade. “You work from scratch on every [layout] you do. There’s few layouts where it feels like you plug in images and text.”

Those problems are felt across the department. “Nothing that we do converts easily one from the next,” Senior Editor Stephen Cannella explains. “Even after the iPad, you have to tackle a whole different aspect ratio with the Galaxy and Xoom,” noting that tablet layouts also have to accommodate multimedia add-ons.


SEE ALSO: A Sneak Peek at Version 2.0 of Sports Illustrated’s iPad App [PICS]


The design team is always conscious of file size when including additional images, videos and audio in the issue. Larger file sizes will take readers more time to download and will occupy a larger portion of their device’s storage space.

“If an add-on is really important to the experience, like a video cover, we’ll embed it,” says Hercik, but otherwise the team will opt to stream large files, like video, to minimize the issue size.

Hercik says the tablet versions are complete when they achieve a certain flow. “You want to interact on every page or every other page. If you go through a story and you haven’t had any interaction, you feel something is missing.”


Room for Improvement


Although Sports Illustrated‘s tablet editions are strong by design and engagement standards, the editors have not yet examined any reader usage data.

Examining usage statistics would enable them to understand, for the first time, which weekly sections and stories are most popular, how long readers spend reading certain articles compared to others, and what multimedia additions get the most attention. For now, editors have depended on a mix of feedback from focus groups and the comments left in various app stores to help them improve their tablet editions.


Going Forward


Sports Illustrated has emerged as a leader among magazine publications because it doesn’t think of itself as a magazine, but as a sports media company. “We don’t compete with magazines, we compete with networks,” says McDonell.

It’s sentiment shared by Mark Ford, president of Sports Illustrated Group. “We think of ourselves as a sports media company, number one,” he says. “We believe that we have got to reach our audiences and our fans wherever and whenever they’re consuming content on sports, and that means making content available on whatever device they use. Hopefully that extends to TV at some point.”

In fact, Sports Illustrated‘s video operation has already proved profitable, bringing in $3 million in incremental revenue in its first six months, says McDonell.

It’s a mindset that other magazines would do well do emulate. Any publication, whether its roots are in the web, on TV, in print or even on tablets, is truly a media company. Any platform their audience is using should be treated as a crucial distribution outlet.

And that means dissolving those sideline digital departments and refiguring digital — and every other medium — as a priority on par with print.


More About: android, galaxy tab, hearst, hp touchpad, iOS, ipad, magazines, media, motorola xoom, Sports illustrated, Tablet, terry mcdonell, webOS

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20th Jul 2011

Turntable.fm Is Now Licensed by ASCAP, Will It Come Out of Beta Soon?


Still-in-beta interactive music startup Turntable.fm has taken another step toward going mainstream Tuesday. It has just become licensed by ASCAP (American Society of Composers, Authors and Publishers), a performing rights organization which licenses and collects royalties for performances.

Turntable.fm has been taking the web by storm of late, amassing around 300,000 users and more than its share of buzz. However, many have wondered if the site is wholly legal. Basically, it’s a series of musical chatrooms in which five DJs can spin tracks on demand via Medianet or by uploading their own music. The site even shut down international usage recently in an effort to stay Digital Millennium Copyright Act (DMCA)-compliant (the DMCA is U.S.-only).

Still, myriad musicians (and music industry types) have flocked to the site, and we have yet to see any significant backlash against it. However, Turntable.fm is still in beta and is invite-only (if you have a Facebook friend on there, though, you can get access), so it’s still a bit under the radar in the mainstream sphere.

The fact that the site is still in its infancy makes the ASCAP license an interesting milestone (Spotify secured its license when it launched in the U.S. last week). “It’s great to see a tech start-up securing an ASCAP license from the outset, ensuring that songwriters, composers and publishers will be paid fairly if the site succeeds,” said Jon Bahr, director of marketing for ASCAP, in a statement.

Perhaps we could be seeing Turntable.fm coming out of beta soon.

We’ve contacted the team for comment.

More About: ASCAP, music, startup, turntable.fm

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09th Jul 2011

40 New Digital Media Resources You May Have Missed


Whew! This week was awash with news. So, we transformed that news into advice, tips and how-to’s that you can reference for years to come.

Take Facebook’s video chat launch — we’ll guide you in setting it up. Or the space shuttle launch — we provide the Twitter accounts for dozens of astronauts and space experts. And Google+ has been on the minds of millions — we present its pros and cons. Mashable not only releases breaking news, we help you learn how to apply it to your business, your interests and your personal life.

If spare time for reading didn’t exactly factor into your busy week, here’s a roundup of resources that appeared on Mashable.


Editors’ Picks



Social Media


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03rd Jul 2011

Mashable Picks: Our 11 Favorite Tumblr Themes


We all love Tumblr for its ease of use and unique social blogging features. But we really love Tumblr because the right theme can turn your humble cat musings into sophisticated works of web literature. Just click that “install” button and, “Look Ma, I’m a web designer!” (Our judges would have also accepted, “Mmm, I loves me some gradients.”)

Tumblr’s theme garden grows bigger by the day thanks to the contributions of some premier developers. Whether you’re looking to pimp your existing blog or arrive on the Tumblr scene in style, we thought it helpful to highlight a few of the themes we find beautiful, compelling and feature-rich.

See below for staff-picked Mashable favorites, and let us know which theme(s) you’re using in the comments.


1. Savory




Josh Catone: One of the things that makes Savory so nice is that it clearly defines different Tumblr post types while still cohesively tying them together. It also has a massive amount of customization options and built in support for Disqus and Typekit.

Preview it: here.

Install it: here.

Price: $49


2. Field Notes




Lauren Rubin: Field Notes FTW. Not only do I love the products, I love how they've kept the branding consistent in the digital space.

Preview it: here.

Install it: here.

Price: Free


3. Plaid




Brenna Ehrlich: The theme that started my hipster media empire.

Preview it: here.

Install it: here.

Price: Free


4. Brutal Simplicity




Christina Warren: Brutal Simplicity, as the name implies is simple. It's also elegant and easy to customize.

Preview it: here.

Install it: here.

Price: Free


5. Chunky




Lauren Drell: I love Chunky, which I use for my typo blog (#nerdalert). For a lot of Tumblrs, you have to keep scroooooolling down to see older posts. For my purposes (flaunting people's careless spelling on signage), Chunky provides a collage aesthetic that makes the images super easy to consume -- barely any scrolling necessary! Plus, I love bright colors, and this theme is "slabby, colorful, fun."

Preview it: here.

Install it: here.

Price: Free


6. Solaris




Matt Silverman: Few Tumblr themes make good use of white space while keeping posts organized. Solaris is modern, super clean, and instantly digestable. Well worth nine bucks.

Preview it: here.

Install it: here.

Price: $9


7. Effector




Christina Warren: Lots of options, color styles and built-in social tools make Effector a great theme to use and tweak.

Preview it: here.

Install it: here.

Price: Free


8. Chalkdust




Stephanie Buck: I've always wanted to paint my apartment walls with that chalkboard paint. The "Chalkdust" Tumblr theme allows me to virtually paint - without inciting the wrath of my landlord.

Preview it: here.

Install it: here.

Price: Free


9. Rubber Cement




Stacy Green: I love the Rubber Cement theme from SleepoverSF, because thats what I use -- in purple of course. ;)

Preview it: here.

Install it: here.

Price: Free


10. Storybook




Christina Warren: This illustrated Tumblr theme is just beautiful to look at.

Preview it: here.

Install it: here.

Price: $49


11. Blank Slate




Christina Warren: Blank Slate indeed! I love the fixed sidebar and the textured background.

Preview it: here.

Install it: here.

Price: $49

More About: blogging, List, Lists, social media, tumblr, tumblr themes, web design, Web Development

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22nd May 2011

38 New Digital Media Resources You May Have Missed

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Mashable has finally returned from Disney World (also known as the happiest place on earth) with the conclusion of Connect. Since returning, we’ve have no time to slump, turning out another great week of tools and resources for your social media pleasure.

Read on for some great stories about how to use Gmail Labs to boost your productivity, 13 alternative ways to get your news online, and a ton of resource roundups for developers, designers, and small businesses alike.

Looking for even more social media resources? This guide appears every weekend, and you can check out all the lists-gone-by here any time.


Editors’ Picks



Social Media


For more social media news and resources, you can follow Mashable’s social media channel on Twitter and become a fan on Facebook.


Tech & Mobile


For more tech news and resources, you can follow Mashable’s tech channel on Twitter and become a fan on Facebook.


Business & Marketing


For more business news and resources, you can follow Mashable’s business channel on Twitter and become a fan on Facebook.

Image courtesy of Dawghouse Design Studio

More About: business, facebook, Features Week In Review, gadgets, List, Lists, Mobile 2.0, social good, social media, tech, technology, twitter

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08th May 2011

48 New Digital Media Resources You May Have Missed

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The news cycle this week has been unstoppable, with major events from international politics to British royalty dominating the conversation.

This week saw the marriage of Prince William to Kate Middleton, U.S. tornadoes, the death of Osama Bin Laden, and of course, this weekend’s big event: Mother’s Day.

With all the hubbub, we understand if you missed a story or two from Mashable’s trove of tools and resources published over the past week or so. This week, we have resources on bin Laden as well as our regular social media-focused tools such as PR tips for Facebook, business and marketing case studies, and the evolution of Twitter.

Looking for even more social media resources? This guide appears every weekend, and you can check out all the lists-gone-by here any time.


Editors’ Picks



Social Media


For more social media news and resources, you can follow Mashable’s social media channel on Twitter and become a fan on Facebook.


Tech & Mobile


For more tech news and resources, you can follow Mashable’s tech channel on Twitter and become a fan on Facebook.


Business & Marketing


For more business news and resources, you can follow Mashable’s business channel on Twitter and become a fan on Facebook.

Image courtesy of WebTreats Etc.

More About: business, facebook, Features Week In Review, gadgets, List, Lists, Mobile 2.0, social good, social media, tech, technology, twitter

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10th Apr 2011

Top 5 Web Design Mistakes Small Businesses Make

This post originally appeared on the American Express OPEN Forum, where Mashable regularly contributes articles about leveraging social media and technology in small business.


If you’re a small business owner, your website is the central hub of your company, and it’s a pivotal part of your marketing and branding.

Potential customers visit your site specifically for its content, meaning its appearance and usability are critical to its success and how those users view your company. However, getting your web design wrong can have a negative impact on your business.

Here are 5 common web design mistakes you must avoid to create a great user experience and grow your bottom line.


1. Poor Navigation


Many small businesses fail to make navigation a priority, but without careful attention to how people navigate your site, you could unintentionally be creating a frustrating experience for any potential visitor. People visit your site for specific information, and if they cannot find it they will quickly go elsewhere, leaving with the impression that your business is disorganized in more than just its website.

A good navigation structure should be seamless and will keep visitors on your site longer, which means potentially more readers, subscribers, sales or leads — whichever is your primary objective.

Website navigation affects both usability and accessibility, so it’s important to make it a primary concern. Most websites and blogs use common navigational techniques that are expected by the average visitor. The pages and sections of the site should be easy and logical for visitors to maneuver. Don’t make your visitors think about how to navigate your site; it should be effortless and natural.

There are several principles you can follow to create an effective navigation structure:

  • Use icons to aid navigation. They’re both visually appealing and easy to use and understand.
  • Create logical groups of related links, with the most important links on the top-level navigation bar and functional (dashboard, account, settings, etc.) and legal (copyright, privacy, terms) located elsewhere.
  • Provide location information so users know where they are on any given page and how to proceed to another area of the website. This can be achieved by using Breadcrumb navigation.

2. No Clear Calls To Action


The fundamental error of many small business websites is the lack of a clear call to action. We’ve all seen bland small-business brochure websites with nothing but endless descriptive paragraphs. If you aren’t leading users to commit to an action (buy a product, contact you or subscribe, for example), then you are losing them.

Driving traffic to your website is important, but that traffic is useless if your primary call to action is a plain “click here” link buried in a sea of text. Call-to-action buttons are a great way to grab the user’s attention, and these buttons can be the key to higher conversions. Investing time and consideration into creating successful calls to action can help guide users and address their needs while achieving your own business goals.

It’s important to keep the following best practices in mind when creating an optimal call to action:

  • The design of a call to action can be broken down into 4 simple elements — size, shape, color, and position. Each plays a vital part in determining how effective the call to action is in directing the user.
  • Don’t make your users work or think, or they’ll leave. It’s not that they aren’t smart, it’s that they want access to information quickly without spending unnecessary time searching for it.
  • Don’t overdo it with multiple, competing calls to action on every page. Decide what your primary target is and then define a clear objective per page. Your content should have answered, “What’s in it for me?” and your call to action should now answer, “What do I do now?”

3. Color & Contrast


Color and contrast aren’t usually high up on the list of priorities for a small business owner when it comes to creating a website. But it should be, because if your website text does not have sufficient contrast compared to its background, people will have difficulty reading your content, especially people with poor vision or color-blindness.

Aside from plain readability, color and contrast are important because they can be used to create visual interest and direct the attention of the user. It can equally be effective in organizing and defining the flow and hierarchy of a page, and it’s therefore an essential principle to pay attention to during the design process. Here are some tips:

  • Using a free a Color Contrast tool (which conforms to accepted standards) you can easily check to see how the contrast on your website measures up.
  • Research how major sites use color and contrast to improve readability and highlight specific sections, and use this knowledge to experiment with color schemes.
  • One of best ways to enhance contrast is by creating size differences between elements, making some things appear larger than others. This works especially well within a minimal color scheme, and it means you don’t have to necessarily rely on color.

4. Content, Content, Content


People visit your website for its content, and how that is structured is a huge factor in its success or failure. Unfortunately, an overwhelming number of small businesses get so caught up in overloading the user with information that they overlook how that information is presented.

Most people do not read unless it’s absolutely necessary, and they prefer to scan through information quickly to get to the points of interest. This is why it’s so important to establish a strong visual content hierarchy so users can quickly scan your site and sifting through relevant information. A logical content hierarchy also acts as a guide through each page and creates a more enjoyable user experience.

So when focusing on your content, it’s best to keep in mind these three tips:

  • White space is possibly the most important factor to consider. It will allow the user to focus on the meaningful content within each section.
  • Break up lengthy pieces of information into digestible blocks of text, utilizing headings, sub-headings, bullets, blockquotes and paragraphs.
  • Readable content is important, so use a good line height that is large enough to make content scannable. Margins and letter spacing also need to be taken into consideration.

When talking about content, spelling and grammar cannot be underestimated.


5. Clutter


We all know at least one small business website that seems to include everything but the proverbial kitchen sink. Many small business owners tend to cram as much as they can onto a single page — the end result is a busy, cluttered and unreadable page.

The more extraneous items there are on a web page, the more unprofessional it looks, and it becomes overwhelming, confusing and distracting for the user. A cluttered website will also affect traffic because visitors won’t return if they can’t understand or follow the content, which leads to low traffic, a high bounce rate and possibly a poor Page Rank.

Clutter also applies to images. Too many can be a huge distraction and just plain annoying. Images should be used to illustrate, capture attention and guide the user where required.

Follow these guidelines for a more streamlined visitor experience:

  • Challenge every item on each page and ask, “Does it really need to be there? Does it serve a specific purpose? Can I live without it?”
  • The key is to aid the visitor in finding the information they’re looking for, so make sure to differentiate between areas of content, advertisements and promotions.
  • Prioritize your content and decide what is the most important to your visitor and potential customer — and sell it well.

Even the greatest content can become lost in a mess of words and graphics, so de-cluttering is essential.

These are just five web design mistakes that many small businesses make. What other mistakes have you noticed on small business websites?


Interested in more Business resources? Check out Mashable Explore, a new way to discover information on your favorite Mashable topics.

Image courtesy of iStockphoto, RBFried

More About: branding, MARKETING, small business, trending, web design, website

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30th Mar 2011

Twitter Upgrades Embedded Tweets


Twitter has updated its developer tools, making embedded tweets more interactive and functional. The new tweets allow users to reply, retweet or favorite a tweet directly from its embedded version.

Twitter introduced embeddable tweets last year — and while the end result has been quite effective, the set-up process involved in actually embedding tweets is more trouble than its worth. Fortunately, plugins like Blackbird Pie for WordPress have made the process less cumbersome.

The new functionality of embedded tweets comes courtesy of a developer tool called Web Intents. Users must first insert a script on a page that will use the intent. Those that already use the Tweet button on their websites will be able to start using Web Intents right away.

The integration process is still surprisingly cumbersome — especially for users that just want to easily and quickly embed a tweet. But the code itself looks a lot more clean. Already, WordPress.com users can take advantage of Web Intents powered embedded tweets. We imagine that the WordPress.org version of that plugin will be updated soon.

There are some cool things about Web Intents. Not only can content creators embed a tweet on their website, they can also embed a pre-filled Twitter message window. Web Intents are mobile-friendly and work with both iOS and Android, which is a nice touch.

The fact that users can send a tweet directly from a webpage or retweet messages without having to use a third-party program or extension could make for some interesting possibilities — at least for web developers and app makers that want to add more seamless social ability to their sites.

Developers, what do you think of the new Twitter Web Intents? Let us know in the comments.

[via ReadWriteWeb]

More About: blackbird pie, twitter, web intents, WordPress.com

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13th Feb 2011

37 New Digital Media Resources You May Have Missed

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Notice something different in the air? No, it’s not hordes of people rushing out to buy Valentine’s Day presents — we’ve added a section to our weekly roundup.

We’re still bringing you all the tools and resources from the past week or so, but we’ve also combed through to pull out some of the best, most useful, or most interesting reads as collected by our editors. These include stories on the smart grid, a guide to Facebook privacy, and a break down of how 3D technology actually works.

Looking for even more social media resources? This guide appears every weekend, and you can check out all the lists-gone-by here any time.


Editors’ Picks



Social Media


For more social media news and resources, you can follow Mashable’s social media channel on Twitter and become a fan on Facebook.


Tech & Mobile


For more tech news and resources, you can follow Mashable’s tech channel on Twitter and become a fan on Facebook.


Business


For more business news and resources, you can follow Mashable’s business channel on Twitter and become a fan on Facebook.

Image courtesy of Flickr, Rosaura Ochoa

More About: business, Features Week In Review, gadgets, List, Lists, Mobile 2.0, social media, tech, technology

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